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San Martino ai Monti

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이야기 8구간

church building in Rome, Italy

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8구간 · 구간을 누르면 글 앞부분이 보여요

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  1. 1San Martino ai Monti

    Welcome, esteemed guests, to the peaceful, elevated environment of the Esquiline Hill. We are standing near the verdant edge of the Parco del Colle Oppio, on the corner of Via Equizia. …

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  2. 2The Carolingian Nave and Ancient Spolia

    Upon entering the central nave, we are immediately struck by a profound architectural rhythm. Despite the heavy, ornate Baroque decorations applied to the walls and ceiling, the fundamental skeleton of this space remains starkly…

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  3. 3The Illusions of Filippo Gagliardi

    To truly appreciate the genius of Filippo Gagliardi, known in his time as 'il Bizzarro'—the bizarre one—we must look at what is absent from this nave as much as what is present. Before the sixteen fifties renovation, this massive…

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  4. 4The Landscape Frescoes of Gaspard Dughet

    As we lower our gaze from Gagliardi's high architectural illusions to the expansive walls of the side aisles, we encounter a fundamentally different, yet equally revolutionary, approach to religious art. The Carmelite superior,…

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  5. 5The Crypt of Paolo Naldini

    We must now proceed toward the high altar, where a wide, elegant staircase invites us to descend into the first subterranean level: the magnificent crypt. Like the nave above, this ancient space was radically transformed during…

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  6. 6The Third Century Roman Villa

    From the ornate, stuccoed garden of the seventeenth-century crypt, we must now descend even further, stripping away the Baroque and medieval layers entirely. We are walking down into the absolute foundations of the site, entering…

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  7. 7The Altered Mosaic of Pope Silvester

    As we explore the deepest chambers of this ancient Roman villa, we encounter an incredibly rare piece of art that tells a bizarre, fascinating story of historical alteration. Before us is a mosaic that originally dates back to…

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  8. 8San Martino ai Monti

    As we slowly ascend from the damp, heavy silence of the third-century villa, passing back up through the stuccoed palms of the Baroque crypt, and finally emerging into the vast, landscape-covered nave, let us take a moment to…

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